ENGLISH HIGH SCHOOL

A verb that does not transfer action to an object is called _____. the subject of the verb an intransitive verb the object of the verb a transitive verb

Answers

Answer 1
Answer:

Answer: B) An intransitive verb.

Explanation: A transitive verb is one that is used with an object (a noun, phrase, or pronoun that refers to the person or thing that is affected by the action of the verb). It is the contrary of an intransitive verb, which does not have an object. So, from the given options, the one that represents a verb that does not transfer action to an object, is the corresponding to option B: an intransitive verb.
Answer 2
Answer: a verb that does not transfer action to an object is called an intransitive verb.

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Which word best describes Creon as he approaches his son in the cavern?a. exhaustedb. proudc. hopefuld. repentant
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What do the summer flowers that trim the clothes of the Ghost of Christmas Past symbolize?a. wisdom and learning
b. pride and greed
c. youth and health
d. honesty and virtue

Answers


The summer flowers that trim the clothes of the Ghost of Christmas past symbolize (C) youth and health.

Dickens wants us to believe through the Ghost of Christmas past that we should keep alive the memories of Christmases spent in our childhood and cherish those memories as we become adults and have to shoulder so many more responsibilities. The summer flowers are a symbol of health and youthfulness that me must always keep in mind as we progress through the years.

What does the simile at the end of the passage mean? Answer by completing the sentence. Galarza compares the words to trapezes in full swing to explain that

Answers

The simile at the end of the passage mean Galarza compares the words to trapezes in full swing to explain that the harder words made no sense to him. Thus, option fourth is correct.

What is simile?

Simile is one pf the part of the speech used in the English language in order to show the comparison between the two things. For instance, The cheeks looks like roses is an example of the simile because uses the word like to show the comparison between the two.

But the sentence, would have been the roses are cheeks then this expression is an example of Metaphor because metaphor does not use words like or as.

In the above sentence, Galarza contrasts the words to trapezes in full swing at the end of the passage to explain why the harder words were meaningless to him.

Therefore, it can be concluded that option fourth is correct.

Learn more about Simile here:

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Your question is incomplete, but most probably the full question was...

We always started with the easy [words] I had already

learned, and which I wrote down and read from the slate.

The new ones I had to listen to first, putting them

together as well as I could from the sounds. At the end of

the lesson I had to listen to the formidable words that

sounded more like trapezes in full swing.

-Barrio Boy,

Ernesto Galarza

The learned the first words very quickly

the last words were easy for him to learn

his teacher was going too slowly

the harder words made no sense to him

Answer:

The harder words made no sense to him

Explanation:

I got it right ;)

Choose the correct form of the pronoun in parentheses: The favorites for the show were the Bensons and (they, them)

Answers

Answer: them

Explanation: Both the noun phrase "the Bensons" and the pronoun that we have to choose make up this sentence's complement, in which nouns take the role of object ("The favorites for the show" being the subject and "were" being the verb), therefore, the object form of the pronoun (them) must be used.
they is a subject pronoun and them is an object pronoun so in this sentence, them is correct.

The event that is credited with the beginning of the American Civil Rights Movement began with a woman named Rosa Parks,A. in a school.
B. on a train.
C. on a bus.
D. in the Supreme Court.

Answers

The event that is credited with the beginning of the American Civil Rights Movement began with a woman named Rosa Parks C. ON A BUS.

Rosa Louise McCauley Parks, an African-American woman, rode a Montgomery Bus Line bus on 1st December 1955. During her time, black and white people have assigned places including inside the bus.

She sat in the bus section where black people were assigned to seat. However, when a white man entered as a passenger and the white seats have already been filled up, Rosa was told by the bus driver to give up her seat for the white man. She did not obey the bus driver's order. She was arrested for her disobedience.

Her act of defiance and the resulting Montgomery Bus Boycott became an important symbol for Civil Rights Movement. 
c.!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

In which part of the galaxy is the sun located?a) Center
b) Bulge
c) Halo
d) Spiral arm

Answers

The Sun is present in a spiral arm called the Orion Spur of the Milky Way galaxy and extends outward from the Sagittarius arm, i.e., option d.

What is Sagittarius arm?

The branching part of the Sagittarius arm of the Milky Way includes the Eagle, famous nebulae,  Lagoon Nebulae, Trifid and Omega.

The Sun is located in a spiral arm and extends outward from the Sagittarius arm.

Thus, the correct option is d.

For more details regarding Sagittarius arm, visit:

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D next to the spiral arm

circle the letter of the best synonym (the word or phrase most nearly the same as the word in bold-faced type) a juncture in the family's welfare A. confusion B. crisis C.separation D. puncture E. healing the bold-faced word is juncture

Answers

It would be B. CRISIS
I think it's C, separation.
Other Questions
Th e speaker is relieved to see the ‘“black fellows”’ (28) because(A) they provide him with comic relief (B) their grotesque faces are intriguing (C) they provide a sense of verity (D) they make the Europeans look better (E) they are an entertaining diversion Passage 3. Joseph Conrad, Heart of Darkness “I left in a French steamer, and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom- house offi cers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. Th ere it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, ‘Come and fi nd out.’ Th is one was almost featureless, as if still in the making, with an aspect of monotonous grimness. Th e edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. Th e sun was fi erce, the land seemed to glisten and drip with steam. Here and there greyish-whitish specks showed up clustered inside the white surf, with a fl ag fl ying above them perhaps. Settlements some centuries old, and still no bigger than pinheads on the untouched expanse of their background. We pounded along, stopped, landed soldiers; went on, landed custom-house clerks to levy toll in what looked like a God-forsaken wilderness, with a tin shed and a fl ag-pole lost in it; landed more soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got drowned in the surf; but whether they did or not, nobody seemed particularly to care. Th ey were just fl ung out there, and on we went. Every day the coast looked the same, as though we had not moved; but we passed various places—trading places—with names like Gran’ Bassam, Little Popo; names that seemed to belong to some sordid farce acted in front of a sinister back-cloth. Th e idleness of a passenger, my isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform sombreness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion. Th e voice of the surf heard now and then was a positive pleasure, like the speech of a brother. It was something natural, that had its reason, that had a meaning. Now and then a boat from the shore gave one a momentary contact with reality. It was paddled by black fellows. You could see from afar the white of their eyeballs glistening. Th ey shouted, sang; their bodies streamed with perspiration; they had faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality, an intense energy of movement, that was as natural and true as the surf along their coast. Th ey wanted no excuse for being there. Th ey were a great comfort to look at. For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. Th ere wasn’t even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, fi ring into a continent. Pop, would go one of the six-inch guns; a small fl ame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. Th ere was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.”
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