A stanza is _____. two rhymed lines four rhymed lines a unit of division within a poem, similar to a paragraph a unit measure of poetry consisting of one stressed and one unstressed syllable

Answers

Answer 1
Answer: 1) Two rhymed lines – No, that would be a couplet
2) Four rhymed lines – No; I'm not sure if there is a specific name for this...
3) A unit of division within a poem, similar to a paragraph – Yes
4) A unit measure of poetry consisting of one stressed and one unstressed syllable – No, this would be an example of a trochee
Answer 2
Answer:

Answer:

I believe it's 4 rhymed lines, but I'm not completely sure. Hope this helped somehow!

Explanation:


Related Questions

A story’s deeper meaning is called its_____.epiphanythemeconflictdenouement
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Which of the following is NOT likely to be an early sign of a damaged relationship? A. You begin to feel a sense of discomfort with your friend.B. Your friend suddenly explodes in anger at you for no apparent reason.C. Your friend begins finding excuses to break lunch dates with you.D. Your cousin comments that you and your friend don't seem as close.

Which sentence uses a verb that agrees with its subject? A. Into the tall grasses hop the young rabbit. B. On the fire escape sit two stray cats. C. There was once two lands at war. D. Has they ever seen the inside of a submarine?

Answers

B. On the fire escape sit two stray cats

A general rule is that subject has to match verb.

(A) is wrong because one rabbit HOPS, not hop
(C) is wrong because two lands WERE at war, not was
(D) is wrong because they HAVE, not has
(B) is correct because two stray cats sit

*notice that when there's an "s" in the noun, or if the noun is plural, then the verb lacks an "s", and when there isn't an "s" at the end of the noun (it's singular), then the verb DOES have an "s". This is the rule of thumb (there are exceptions though)

With whom does Hemingway associate Santiago through his description of injuries to the old mans forehead and hands and the description of the old man carrying the mast of the skiff

Answers

Hemingway compares Santiago and Jesus Christ in the described scene. The wounds on the forehead and the arms are combined with the skiff carrying that resembles Jesus carrying his own cross.

Combine the following sentences using a subordinate conjunction.Esther observed the joyous look in Josh's eyes. She whirled around to look up the hill.
A. Esther observed the joyous look in Josh's eyes, and she whirled around to look up the hill.
B. Esther observed the joyous look in Josh's eyes; she whirled around to look up the hill.
C. When Esther observed the joyous look in Josh's eyes, she whirled around to look up the hill.

Answers

C is the correct answer, because it is the only option where a subordinate conjunction is used - 'when'. In A, 'and' is a coordinate conjunction, not subordinate. And in B there is no conjunction at all. 

What would you say is the principle means of characterization employed by the author? emotions
thoughts
narrative
dialogue
3. Complete the analogy:
Affliction is to calamity as lamentation is to ­___________.


jocund
weeping
sullen
destruction
4. Which of the following words could be used to describe the Nurse?

fickle
jocund
sullen
piteous
5. In the Elizabethan five-act play structure, Act III contains the ­_____________.

resolution
exposition
climax
conflict
6. Iambic pentameter is often used in ­­­­­­­­________

plays
blank verse
prose
parliament

Answers

Hello there.

What would you say is the principle means of characterization employed by the author? 

emotions

Read the sentence.Lance not Erin scored the winning goal at the soccer game.

How should this sentence be punctuated?


Insert commas after Lance and Erin and goal.
Insert a comma after Erin.
Insert commas after Lance and Erin.
Insert a comma after goal.

Answers

Insert commas after Lance and Erin.

Answer:

Insert commas after Lance and Erin.

Explanation:

What is an open-ended question

Answers

Explanation: An open-ended question is a question tat typically requires a couple sentences and some thought as well as analysis.

It's not a like a yes or no or true or false question,

it does require you to put some thought into it.

which cannot be answered with a simple "yes" or "no", or with a specific piece of information, and which gives the person answering thequestion scope to give the information that seems to them to be appropriate.
Other Questions
Th e speaker is relieved to see the ‘“black fellows”’ (28) because(A) they provide him with comic relief (B) their grotesque faces are intriguing (C) they provide a sense of verity (D) they make the Europeans look better (E) they are an entertaining diversion Passage 3. Joseph Conrad, Heart of Darkness “I left in a French steamer, and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom- house offi cers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. Th ere it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, ‘Come and fi nd out.’ Th is one was almost featureless, as if still in the making, with an aspect of monotonous grimness. Th e edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. Th e sun was fi erce, the land seemed to glisten and drip with steam. Here and there greyish-whitish specks showed up clustered inside the white surf, with a fl ag fl ying above them perhaps. Settlements some centuries old, and still no bigger than pinheads on the untouched expanse of their background. We pounded along, stopped, landed soldiers; went on, landed custom-house clerks to levy toll in what looked like a God-forsaken wilderness, with a tin shed and a fl ag-pole lost in it; landed more soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got drowned in the surf; but whether they did or not, nobody seemed particularly to care. Th ey were just fl ung out there, and on we went. Every day the coast looked the same, as though we had not moved; but we passed various places—trading places—with names like Gran’ Bassam, Little Popo; names that seemed to belong to some sordid farce acted in front of a sinister back-cloth. Th e idleness of a passenger, my isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform sombreness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion. Th e voice of the surf heard now and then was a positive pleasure, like the speech of a brother. It was something natural, that had its reason, that had a meaning. Now and then a boat from the shore gave one a momentary contact with reality. It was paddled by black fellows. You could see from afar the white of their eyeballs glistening. Th ey shouted, sang; their bodies streamed with perspiration; they had faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality, an intense energy of movement, that was as natural and true as the surf along their coast. Th ey wanted no excuse for being there. Th ey were a great comfort to look at. For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. Th ere wasn’t even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, fi ring into a continent. Pop, would go one of the six-inch guns; a small fl ame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. Th ere was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.”