A commercial implies that you will be happier and healthier if you wear a certain brand of cologne.What type of advertising persuasion is being used?

testimonial
identity advertising
bandwagon appeal

Answers

Answer 1

Answer: From these choices, I'd have to say testimonial..

Related Questions

An atom has the same number of which two particles ?
Th e speaker is relieved to see the ‘“black fellows”’ (28) because(A) they provide him with comic relief (B) their grotesque faces are intriguing (C) they provide a sense of verity (D) they make the Europeans look better (E) they are an entertaining diversion Passage 3. Joseph Conrad, Heart of Darkness “I left in a French steamer, and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom- house offi cers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. Th ere it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, ‘Come and fi nd out.’ Th is one was almost featureless, as if still in the making, with an aspect of monotonous grimness. Th e edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. Th e sun was fi erce, the land seemed to glisten and drip with steam. Here and there greyish-whitish specks showed up clustered inside the white surf, with a fl ag fl ying above them perhaps. Settlements some centuries old, and still no bigger than pinheads on the untouched expanse of their background. We pounded along, stopped, landed soldiers; went on, landed custom-house clerks to levy toll in what looked like a God-forsaken wilderness, with a tin shed and a fl ag-pole lost in it; landed more soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got drowned in the surf; but whether they did or not, nobody seemed particularly to care. Th ey were just fl ung out there, and on we went. Every day the coast looked the same, as though we had not moved; but we passed various places—trading places—with names like Gran’ Bassam, Little Popo; names that seemed to belong to some sordid farce acted in front of a sinister back-cloth. Th e idleness of a passenger, my isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform sombreness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion. Th e voice of the surf heard now and then was a positive pleasure, like the speech of a brother. It was something natural, that had its reason, that had a meaning. Now and then a boat from the shore gave one a momentary contact with reality. It was paddled by black fellows. You could see from afar the white of their eyeballs glistening. Th ey shouted, sang; their bodies streamed with perspiration; they had faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality, an intense energy of movement, that was as natural and true as the surf along their coast. Th ey wanted no excuse for being there. Th ey were a great comfort to look at. For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. Th ere wasn’t even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, fi ring into a continent. Pop, would go one of the six-inch guns; a small fl ame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. Th ere was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.”
Christopher Marlowe uses blood as a symbol for Faustus’s soul and life throughout The Tragical History of Doctor Faustus. Which parts of this excerpt from the play bring out the idea that Faustus’s human soul is predisposed to shun evil?
Suppose you've just read a romance novel that has stock characters and a happily-ever-after ending. What kind of literature were you probably reading? A. Informational literature B. Universal literature C. Interpretive literature D. Escapist literature
Conceding a point in persuasive writing is done for the purpose of: Question 3 options: feeling sorry for the opposite side making your opponents feel better giving the opposition partial credit in order to show that the writer is fair but the opposition is weak giving up your argument

Choose the type of analogy used in this sentence: Water is to moisten as spade is to dig

Answers

Answer:

The type of analogy used in the sentence"Water is to moisten as spade is to dig" is function analogy

Explanation:

A function analogy also called purpose analogy compares the function of two things, in the sentence "Water is to moisten as spade is to dig" we are comparing one of the basic functions of water which is to get things to moisten with the way we can use a spade which is digging, basically we are referring to their elementary use.

Select the choice that best describes the author's use of figurative language in the sentence below."I felt like a quickly melting snowman under the glare of all those watching eyes."
A.The author uses personification to give a snowman human feelings.
B.The author uses a metaphor to compare being on a stage to being a snowman.
C.The author uses a simile to compare the feeling of nervousness to melting.
D.The author uses a metaphor to compare the cool feeling of standing on stage to snow.

Answers

The choice that best describes the author's use of figurative language is the author uses a simile to compare the feeling of nervousness to melting. The correct option is c.

What is simile?

A simile is a figure of speech that directly compares two things. Similes differ from metaphors by highlighting the similarities between two things using comparison words such as like, as, so, or than, while metaphors create an implicit comparison i.e. saying something is something else.

This distinction is evident in the etymology of the words: simile derives from the Latin word similis similar, like, while metaphor derives from the Greek word metapherein to transfer. Like in the case of metaphors, the thing that is being compared is called the tenor, and the thing it is being compared to is called the vehicle.

Author and lexicographer Frank J. Wilstach compiled a dictionary of similes in 1916, with a second edition in 1924.

Learn more about simile, here:

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C. The author uses a simile to compare the feeling of nervousness to melting because the sentence uses the word "like," which is an underlying hint to similes. Without it, it would be a metaphor.

Is "Spanish architect Antoni Gaudi was inspired by a forest canopy when he designed the Sagrada Familia Basilica" a subordinating conjunction? A) Yes B) No

Answers

B) No

"Spanish architect Antoni Gaudi was inspired by a forest canopy when he designed the Sagrada Familia Basilica" does not contain a subordinating conjunction. It is a complex sentence with two independent clauses joined by the coordinating conjunction "when." A subordinating conjunction would introduce a dependent clause and indicate a subordinate relationship to the main clause.

In the plot of “Cruel Tribute,” which events are a result of King Minos’s actions? Check all that apply. Athens agrees to pay the tribute. Young people participate in a lottery. Theseus uses the silken thread. Theseus fights the Minotaur. Aegeus drowns in the Aegean Sea. Theseus becomes king.

Answers

The correct answers are A) Athens agrees to pay the tribute, B) young people participate in a lottery, and D) Theseus fights the Minotaur.

In the plot of “Cruel Tribute,” the events that are a result of King Minos’s actions are: Athens agrees to pay the tribute, young people participate in a lottery, and Theseus fights the Minotaur.

"The Cult Tribute" is the name of Chapter 16 in the book "Old Greek Stories," written by James Baldwin. In the book, Baldwin retells the stories of Greek mythology with clarity in order for the readers to better understand important passages in the history of ancient Greece. This way the reader could be more interested in the style of the author and do not get bored so easily with gods, attributes, and complicated plots. For instance, in the plot of “Cruel Tribute,” the events that are a result of King Minos’s actions are: Athens agrees to pay the tribute, young people participate in a lottery, and Theseus fights the Minotaur.

1Athens agrees to pay the tribute.
2Young people participate in a lottery.
3Theseus fights the Minotaur.

How do we discover the purpose of the interviewers in Interview with Marielle Tsukamoto?A) by making judgments based on their age and ethnicity
B) by examining who they are and what questions they ask
C) by reviewing the grammar of the interviewers’ questions
D) by providing a reason for the interviewers to talk to you

Answers

We discover the purpose of the interviewers in Interview with Marielle Tsukamoto by examining who they are and what questions they ask. Option B is correct.

Mary Tsuruko Dakusaku Tsukamoto was a Japanese American educator, cultural historian, and civil rights activist.

She was a teacher in the Elk Grove Unified School District in Sacramento, California, for 26 years, and was described as having a passion to teach children how to learn from experience.

The right answer for the question that is being asked and shown above is that: "C) by reviewing the grammar of the interviewers’ questions." we discover the purpose of the interviewers in Interview with Marielle Tsukamoto is that by reviewing the grammar of the interviewers’ questions

Rewrite the sentence by making the pronoun agree with the antecedent.Every good homeowner plays their part in keeping the neighborhood clean and safe.

Answers

Every good homeowner plays their part in keeping the neighborhood clean and safe.
Antecedent: every good homeowner
Pronoun: their (which is incorrect because "every homeowner" is singular)

For singular antecedents, we should use singular pronouns. Singular pronouns include: I, he, she, it, and you. Since this refers to a second person (every homeowner), we can't use "I", "it", and "you". Hence, we can use "he" or "she" instead.

CORRECT SENTENCE: Every good homeowner plays his/her part in keeping the neighborhood clean and safe.

Final answer:

The rewritten sentence to make the pronoun agree with the antecedent is: 'Every good homeowner plays his or her part in keeping the neighborhood clean and safe.'

Explanation:

To make the pronoun agree with the antecedent in the sentence, 'Every good homeowner plays their part in keeping the neighborhood clean and safe,' we should replace 'their' with 'his or her,' because the antecedent 'Every good homeowner' is singular. Thus, the revised sentence is: 'Every good homeowner plays his or her part in keeping the neighborhood clean and safe.'