Marco is a fourth-generation Mexican American. Both his grandparents and parents were born in the United States. Neither he nor his parents have learned Spanish and he does not often think of his heritage. Most of his friends do not think of him as Hispanic or Latino. However, on Cinco de Mayo, Marco likes to go out and celebrate by eating Mexican food and wearing a sombrero. Marco’s relationship with his ethnicity can be described as what?

Answers

Answer 1
Answer:

Marco's relationship with his ethnicity can be described as symbolic ethnicity, taking the description into consideration.

What is symbolic ethnicity?

Symbolic ethnicity is a term used in sociology to describe a person's pride and connection to his or her ethnicity. This connection is, however, more nostalgic and less pervasive, which means constant behaviors concerning ethnicity are not observed.

That is the case with Marco. He does display a type of nostalgic connection and pride concerning his ethnicity, but he does so when there is an important celebration that appeals to people as a whole.

Learn more about symbolic ethnicity here:

brainly.com/question/7163283

Answer 2
Answer:

Answer: symbolic ethnicity.

Explanation:

Marco is experiencing what it is known in sociology as symbolic ethnicity. It is a nostalgic connection to, love for, and pride in a cultural tradition, even when the person does not incorporate any other aspects of the ethnicity in his/her everyday behavior and life.


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Which of the following is the best summary of Beowulf's last words? A. You are a good man to have worked with, but I must leave now. B. We are members of a great, proud, and dying group of people. I, too, must die. C. I have no other choice but to die like all of our great forefathers, the Waegmundings.

Answers

Beowulf's last words to Wiglaf are of his own people - he says that he is glad that he was there for his people when they needed him, but that it is his time to die now. Having this in mind, the best summary of Beowulf's last words would be B. We are members of a great, proud, and dying group of people. I, too, must die. - It is human nature to be born, and then to die, and it is no exception for Beowulf either.

Answer:

B

Explanation:

Question 2 of 20Multiple Choice: Please select the best answer and click "submit."

What central belief do both Abraham Lincoln and Martin Luther King Jr. present in their speeches?

A. Both believe that war is wrong in all settings.
B. Both believe that freedom for the oppressed is worth fighting for.
C. Both believe that women deserve the right to vote.
D. Both believe that children should not work in factories.

Answers

The correct answer is :B. Both believed that freedom for the oppressed is something worth fighting for. 

Answer:b

Explanation:

How does lady Macbeth influence macbeths decision to murder Duncan

Answers

she calls macbeth weak and questions his strength of character, pushing him to agree to the crime.

Lady Macbeth influenced Macbeth's decision to murder Duncan by being manipulative and questioning Macbeth's status as a man. She claimed that she would have "plucked the boneless gums out of her nipple" if she had promised it to Macbeth. This prompts Macbeth to follow through with his promise when he said he would murder Duncan earlier.

She asks him if he would rather be a coward than seize an opportunity to achieve the "ornament" of life - the crown. Additionally, Lady Macbeth says that she cannot love a man who is not willing to have the integrity to do such a thing, this really persuades him as they do share a passionate bond throughout the play.

Hope I helped!

Lines 1–9, ‘“I left in a French steamer . . . a creeping mist,”’ describe thesea as
I. cryptic
II. laconic
III. obfuscated
(A) I only
(B) II only
(C) I and III only
(D) II and III only
(E) I, II, and III


Passage 3. Joseph Conrad, Heart of Darkness
“I left in a French steamer, and she called in every blamed port they have out
there, for, as far as I could see, the sole purpose of landing soldiers and custom-
house offi cers. I watched the coast. Watching a coast as it slips by the ship is like
thinking about an enigma. Th ere it is before you—smiling, frowning, inviting,
grand, mean, insipid, or savage, and always mute with an air of whispering, ‘Come
and fi nd out.’ Th is one was almost featureless, as if still in the making, with an
aspect of monotonous grimness. Th e edge of a colossal jungle, so dark-green as to
be almost black, fringed with white surf, ran straight, like a ruled line, far, far away
along a blue sea whose glitter was blurred by a creeping mist. Th e sun was fi erce,
the land seemed to glisten and drip with steam. Here and there greyish-whitish
specks showed up clustered inside the white surf, with a fl ag fl ying above them
perhaps. Settlements some centuries old, and still no bigger than pinheads on
the untouched expanse of their background. We pounded along, stopped, landed
soldiers; went on, landed custom-house clerks to levy toll in what looked like a
God-forsaken wilderness, with a tin shed and a fl ag-pole lost in it; landed more
soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got
drowned in the surf; but whether they did or not, nobody seemed particularly to
care. Th ey were just fl ung out there, and on we went. Every day the coast looked
the same, as though we had not moved; but we passed various places—trading
places—with names like Gran’ Bassam, Little Popo; names that seemed to belong
to some sordid farce acted in front of a sinister back-cloth. Th e idleness of a passenger,
my isolation amongst all these men with whom I had no point of contact,
the oily and languid sea, the uniform sombreness of the coast, seemed to keep me
away from the truth of things, within the toil of a mournful and senseless delusion.
Th e voice of the surf heard now and then was a positive pleasure, like the speech
of a brother. It was something natural, that had its reason, that had a meaning.
Now and then a boat from the shore gave one a momentary contact with reality.
It was paddled by black fellows. You could see from afar the white of their eyeballs
glistening. Th ey shouted, sang; their bodies streamed with perspiration; they had
faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality,
an intense energy of movement, that was as natural and true as the surf along their
coast. Th ey wanted no excuse for being there. Th ey were a great comfort to look
at. For a time I would feel I belonged still to a world of straightforward facts; but
the feeling would not last long. Something would turn up to scare it away. Once, I
remember, we came upon a man-of-war anchored off the coast. Th ere wasn’t even
a shed there, and she was shelling the bush. It appears the French had one of their
wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the
long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung
her up lazily and let her down, swaying her thin masts. In the empty immensity of
earth, sky, and water, there she was, incomprehensible, fi ring into a continent. Pop,
would go one of the six-inch guns; a small fl ame would dart and vanish, a little
white smoke would disappear, a tiny projectile would give a feeble screech—and
nothing happened. Nothing could happen. Th ere was a touch of insanity in the
proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by
somebody on board assuring me earnestly there was a camp of natives—he called
them enemies!—hidden out of sight somewhere.”

Answers

The correct answer is letter (E) I, II, and III. Lines 1–9, ‘“I left in a French steamer . . . a creeping mist,”’ describe the seas as cryptic, laconic and obfuscated. The sea’s glitter is blurred by a creeping mist. Obfuscated means concealed, laconic means not talkative, cryptic means mysterious.

Identify the sentence that does not develop the main idea in the following paragraph.1. Carldell "Squeaky" Johnson deserved the Conference USA Defensive Player of the Year title that he won this year. 2. He's an excellent defender who can always be counted on to force a turn-over. 3. He's aggressive and really rattles the opposition. 4. In fact, he's had at least one steal in every game he has ever played, which is quite an accomplishment. 5. Squeaky is an excellent ball-handler as well. 6. All in all, Squeaky is just a great player. 7. He's quick, athletic, feisty, and fun to watch. 8. He leaves it all out on the court and always gives his best. 9I'm glad the coaches chose him because he's my favorite player.

Answers

From the choices presented above, the sentence that does not develop the main idea is 6. All in all, Squeaky is just a great player. This sentence simply states the opinion of the writer and does not provide supporting details to convince the readers.

What do Rudyard Kipling's works reveal about his political views?He favored colonization by the British.



He was against British imperialism.



He thought the British were unfair to the Indians.



He thought the colonies were a burden to the British.



He predicted that Britain would lose its colonies.

Answers

The best statement to describe the political view of Kipling is that he favored colonization by the British. He believed that Britain had the right and it is an obligation to go outside their borders and go to other lands to bring Britain's economic, cultural and political superiority.

Rudyard Kipling's works reveal about his political views that he favored colonization by the British. Option A is correct.

Joseph Rudyard Kipling was an English journalist, short-story writer, poet, and novelist. much of his work was inspired by India, the place where he was born.

He was one of the most popular writers in the United Kingdom. His works of fiction include The Jungle Book (1894), Kim (1901), and many short stories.