Which of the following statements is false? A. Adverbs modify adverbs.
B. Adverbs modify nouns.
C. Adverbs modify adjectives.
D. Adverbs modify verbs.

Answers

Answer 1
Answer: Among the given statement, the option that is false is letter B. Adverbs modify nouns. Adverbs DO NOT modify nouns, but they modify adjectives, verbs and other adverbs. The one that only modifies nouns are the adjectives. 

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Which sentence is punctuated correctly? A. He was tired, and it was late, it had been a long day. B. He was tired and it was late it had been a long day. C. He was tired and it was late; it had been a long day. D. He was tired and it was late, it had been a long day.
Which is the closest antonym for the word wispy​
In my room I sat down and tried calmly to reason out the matter. Here was I, Theobald Jack Pansay, a well-educated Bengal Civilian in the year of grace 1885, presumably sane, certainly healthy, driven in terror from my sweetheart's side by the apparition of a woman who had been dead and buried eight months ago. These were facts that I could not blink. Nothing was further from my thought than any memory of Mrs. Wessington when Kitty and I left Hamilton's shop. Nothing was more utterly commonplace than the stretch of wall opposite Peliti's. It was broad daylight. The road was full of people; and yet here, look you, in defiance of every law of probability, in direct outrage of Nature's ordinance, there had appeared to me a face from the grave.
Which one of the following is the best description of reflexive writing? A. Writers have a lot of control over their topics. B. Writers do not benefit from the writing process. C. Writers have had their topics chosen for them. D. Writers keep the audience in mind.
Which would be the BEST way for Edna to make her speech more persuasive to her audience?

What is the verb phrase? 'They can take the bus to school''

Answers

The verb phrase in that sentence is "can take" 


In what part of a nonfiction book will you most likely find the names of the chapters

Answers

A table of contents is the part of a book that is usually used only in nonfiction works that have parts and chapters. So  the table of contents is likely where we would find the names of the chapters in a non-fiction book.

Strong language often means

Answers

Strong language often means strong feelings. You are more likely to use swear words or just very expressive language when you are feeling strong emotions, such as agitation, anger, rage, etc. When you are feeling weak emotions, you are more likely to be controlled and behaved and not use strong language.

Which element of modernist poetry is evident in this excerpt from "The Negro Speaks of Rivers" by Langston Hughes? I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers.a. The poem uses variations of meter to affect rhyme.
b. The poem’s sentences flow across stanzas.
c. The poem’s stanzas have varying lengths.
d. The poem uses nontraditional syntax and rhyme scheme.

Answers

The poem uses nontraditional syntax and rhyme scheme. Thus, option D is the correct option.

How does the poem uses nontraditional syntax and rhyme scheme?

By stating, "I've known rivers," the author makes reference to having previously observed the rivers. Knowing also implies that the speaker has spent a significant amount of time getting to know the rivers and has done so for a long time.

The author begins to discuss the characteristics of the rivers with "I've known rivers ancient as the world and older than the..." and then adds "...flow of human blood in human veins" to demonstrate that those rivers are even older than the blood that gives people life. The lines provide insight on Black Lives' past. They demonstrate how deeply rooted in reality Black history is.

Learn more about rhyme scheme here:

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By telling "I’ve known rivers," the author mentions that he has seen the rivers in the past. Known also means that the speaker knows the rivers for quite some time that he passed his time there and made himself acquaintance with the rivers. By saying "I've known rivers ancient as the world and older than the...", the author begins to describe the features if the rivers and completing the sentence with "...flow of human blood in human veins" he shows that those rivers are even older than the blood that gives life to humans. The lines cast light to the history of Black Lives. They show that the Black history is very old in reality.

The structure of the poem looks like:

I’ve known rivers:

I’ve known rivers ancient as the world and older than the flow of human blood in human veins.

My soul has grown deep like the rivers.

We cannot say that there is a variation of meter because "veins" and "rivers" are not rhyming in this context. In this logic we cannot apply the answers with stanzas. Therefore, the last option is the correct one - D) nontraditional syntax and rhyme scheme.

Which of the following is NOT a part of the setting? 
A. Time
B. Location
C. Mood
D. Sequence

Answers

1.       The answer is d. sequence
because settings refer to the time and location where the event takes place.
Mood can also be added to make the settings more connecting to the audience while sequence refers to the series of event that falls under the plot structure.
Time gives the current time of the event of the story, location is where the story happened or took place and mood is the emotion or feelings of an actor or actress in the certain settings given.





according to this excerpt, why is it important that the near intellectuals expose themselves to Bessie Smith, paul robeson, and other african american artists? excerpt from "the negro artist and thr racial mountain".

Answers

The near intellectuals in this work are the black writers or artists who don't embrace their ethnicity: the speaker argues that they have to expose themselves to the artists mentioned to learn not to be ashamed of their roots and to express them in their art.

In "The Negro Artist and the Racial Mountain," Langston Hughes discusses how African American artists who want to become recognized often feel they will face added hardship and scrutiny because of their race. Therefore, they try to "pass" as white, denying themselves the exploration of their own voice. Hughes believes that if they were to be exposed to African American artists, they would be more likely to celebrate their identity instead of denying it.

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