Explain the difference between a work of art intended for documentation and one intended for commemoration. How can a work of art, intended as a documentation, become also a piece of commemoration?

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Answer 1
Answer:

Answer:

The art intends to document an event, or a governor's achievement or something related to politics is a portrait with specific elements such as the precise recreation of the events, sometimes praising and modifying some points of what happened. Depending on the event portrayed, the artist can be direct and just retell the historical moment. It's not the kind of canvas that is open to be enjoyable (dark themes, hard light, direct composition). On the other hand, the commemorative art intends to be fun, to portray the event to show the victory of something or someone, with bright colors, a soft light, and the composition of the canvas follows the idea to put the audience among the characters portrayed. I think that documentation art becomes a commemorative one when the events and the person who fought there became legends when they change something in History.

Explanation:

Answer 2
Answer:

Answer: The art intends to document an event, or a governor's achievement or something related to politics is a portrait with specific elements such as the precise recreation of the events, sometimes praising and modifying some points of what happened. Depending on the event portrayed, the artist can be direct and just retell the historical moment. It's not the kind of canvas that is open to be enjoyable (dark themes, hard light, direct composition). On the other hand, the commemorative art intends to be fun, to portray the event to show the victory of something or someone, with bright colors, a soft light, and the composition of the canvas follows the idea to put the audience among the characters portrayed. I think that documentation art becomes a commemorative one when the events and the person who fought there became legends when they change something in History.

Explanation:


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Who write “Canzon in Double Echo,” a piece dubbed the first instrumental ‘surround sound” music. Luther Ockeghem de Vinci Gabrieli?

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Answer:

Giovanni Gabrieli

Explanation:

    Giovanni Gabrieli (1557 - 1612) was born in Venice.

    As a composer, G.Gabrieli led polychorality to prodigies of sonorous color, of vivid spiritual affinity, like the painters of the Venetian Cinquecento. His most important works are the Sacred Symphonies (1597), for six and even sixteen voices. The contrapuntal procedure is already presented without the complications of the Flemish masters and is also quite different from the Palestrinian style. The wise mobility of the voices is used as expressive deepening of the texts.

    The most powerful of these works are the Miserere (six voices), the Domine Jesu Chirste (eight voices), Jubilate Deo (Rejoice in God) (eight voices), Canzon in double echo, Ascendit Deus (God ascends) (sixteen voices) ) and the famous Benedictus (three choirs).

    Part of these works is designed with instrumental accompaniment, replacing, in part, human voices, as in the Piano and Fort Sonata, for two trumpet choirs. G.Gabrieli anticipated the evolution of instrumental music.

I believe Giovanni Gabrieli did, I'm not entirely sure.

In which of the following paintings is the technique of sfumato lighting used?

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which paintings? there r no options

The of a piece is the sound impression given by the scale on which a piece of music is based.

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a single octave of pitches, ascending or descending in a prescribed interval pattern that portray the pitches available for use in a given musical piecescale degree

Truth can never be "stranger than fiction" because fiction involves the fantastic and unusual.a. True
b. False

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It would be false: 
pictures with slogans can also produce the same effect. 
the truth can also be fantastic and unusual. 
persuasive writers try to make the reader see the way the writer sees things. 

Answer:

false :}

Explanation:

It took approximately how many years for the Stonehenge to be built2,000
500
1,000
1,400

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Answer:

1,400

Explanation:

Like many twentieth-century artists, the Fauves broke new ground. How did Fauvist Henri Matisse ignore accepted conventions of traditional art in The Red Room?

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fauvism used arbitrary use of color, and also the foreground was just as busy as the background, so it was hard to distinguish the 2. This can be seen in the goldfish by Matisse. There is a random, non sense use of color, and the background is just as busy as the foreground

Answer:

The Answer is The Fauves used intense, expressive colors that are not realistic.

Explanation: I know the answer because I did the quiz, and checked the Quizlet