Miranda present the theme in 'Advice from La Llorona' is to provides advice on how to handle grief.
This poem "Advice from La Llorona" wrote by Deborah A. Miranda.
Speak with the deceased. Tell her what's on your mind. Make an effort to touch someone each day. Attempt to overcome grief with tenacity. Act as if the finish line is not moving away.
In the story of La Llorona, a woman who is looking for what she has lost is caught between this world and the afterlife. "A condemned lady as well as a Goddess with a dark message."
La Llorona is an outcast of Aztec mythology; she is a formidable goddess from antiquity who has retained some of her power for evil up to the present.
Therefore, Miranda present the theme in 'Advice from La Llorona' is to provides advice on how to handle grief.
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she exsplains the themeExplanation:
impulsiveness decisiveness
compassion
fearfulness
Answer:a
Explanation:
Answer:
A ) impulsiveness
Explanation:
1. Who’s
2. Whose
3. Whom
4. Which
A.
complete sentence
B.
sentence fragment
C.
run-on sentence
A run-on sentence happens whilst or greater independent clauses (additionally referred to as whole sentences) are related improperly. Hence, the given sentence is an example of a run-on sentence. Option C is the correct statement.
A common kind of run-on sentence is a comma splice. A comma splice happens whilst impartial clauses are joined with only a comma.
Comma splices rise whilst an author tries to apply a transitional expression withinside the center of a sentence.
Hence, the given sentence is an example of a run-on sentence. Option C is the correct statement.
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The definition of "alter" is to modify or change anything. It can be used to complete sentences related to changing plans, altering atmosphere, and modifying actions.
To alter anything is to change it or modify it. In the given context, 'Alter' can be used to complete the following sentences:
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FINISH EACH SENTENCE USING THE VOCABULARY WORD PROVIDED
(alter) when she saw that it was to rain
played
in many countries around the world. The marimba is a percussion instrument, a type of xylophone nearly ten feet long. The forerunner of the modern marimba comes from Guatemala. The instrument, however, is even older in its origins, which are thought to be Mayan.
The marimba consists of a set of wooden keys or bars that are hit with two or more mallets to make musical sounds. Some pieces of music require the use of up to six mallets. The instrument slightly resembles a piano, but the musician plays the marimba standing up instead of sitting down.
The marimba is not
special
because of its wooden bars. Instead, resonators, the metal tubes that hang beneath each bar, are what make the marimba unique. They are made in different lengths and produce different sounds and tones. Some resonators are made of aluminum, but brass is preferred. Resonators were originally made of hollowed-out gourds. The mallets also make a great difference in the quality of the sound. Softer mallets are used for the low
notes
. Harder mallets are used for the high notes.
It takes a great
deal
of skill to handle multiple mallets, two or three in each hand. Some musicians have developed special grips to help them control the mallets as they play. One of these, the Stevens method, uses four mallets, two in each hand. The grip involves holding one of the mallets with the ring and pinky fingers while the other is controlled between the thumb and the middle finger.
1. What can the reader infer from this article?
The marimba is a member of the strings section of the orchestra.
The mallets used to play the marimba are usually made of brass.
A musician needs quick hands to be a good marimba player.
Playing the marimba requires a minimum of two musicians.
D. A musician needs quick hands to be a good marimba player.
Answer:
part 2
Explanation:
PART B: Which of the following paragraphs best supports the answer to Part A?
A.
(Paragraph 89) He clung crying to the chain, pulling himself up from the burning of the cone. Each missile Horrocks flung hit him. His clothes charred and glowed, and as he struggled the cone dropped, and a rush of hot suffocating gas whooped out and burned round him in a swift breath of flame.
B.
(Paragraph 90) When the momentary red had passed, Horrocks saw a charred, blackened figure, its head streaked with blood, still clutching and fumbling with the chain, and writhing in agony — a cindery animal, an inhuman, monstrous creature that began a sobbing intermittent shriek.
C.
(Paragraph 92) “God have mercy upon me!” he cried. “O God! what have I done?”
D.
(Paragraph 93) An intense realization of that agony came to his mind, and overcame every other feeling. For a moment he stood irresolute, and then, turning to the truck, he hastily tilted its contents upon the struggling thing that had once been a man. The mass fell with a thud, and went radiating over the cone.