"but it says all men" from the passage most strongly reflects an appeal to logos.
When we try to persuade others of anything using logic rather than trying to appeal to their emotions, we are using logos. Logical arguments include things like data, statistics, and common sense. Here is a quote from our hero Aristotle that exemplifies the use of logos: Men are all mortal. Man, Socrates is. To appeal to the audience's sense of reason or logic is to use logos, often known as the appeal to logic. Using facts and figures as well as making obvious, logical links between concepts, the author employs logos.
Another tactic is to build a logical argument by using literal and historical comparisons. The goal of the persuasive strategy known as logos is to persuade a listener by appealing to reason and logic. The citation of references, often known as "the logical appeal," is one form of a logo in advertising.
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Answer:
C. “but it says all men”
Explanation:
Explanation:
Is Susan athome?[in,at,on,under]
Rainsford refuses.
He hates the idea of "hunting humans." Instead, he demands to leave the island immediately. However, Zaroff tells him that that is impossible. If Rainsford refuses to participate, then he will be given to Ivan. Ivan appears to be a lot more monstruous than Zaroff. And, if Rainsford participates, he might be able to gain his freedom. Therefore, he accepts in the end.
B/cost; number of classes
C/average class size; cost
D/cost; average class size
Answer:correct answer is C
Explanation:
B. radical democrats
C. redeemers
D. southern democrats
B.young love and retirement
C.those of students and soldiers
D.infancy and old age
This is the poem:
All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.