Answer:just to clear any confusion its true
Explanation:
took the test
Answer:
diet and exercise
Explanation:
mark brainlist✔
Answer:
In my opinion, fiery, passionate anger is less dangerous than cool, calculated reason. When you are angry, it causes you to lose reason and become reckless which is incredibly dangerous but when a bad person is perfectly calm and composed, I'd be much more terrified than I would have been facing a yelling man because that means that they are smart and that they have a plan. Is that strange?
Explanation:
Fiery anger is often more immediately destructive due to its impulsiveness, while cool reason, though seemingly less harmful, can lead to long-term harm if used negatively. The destructiveness of each is relative and depends on context
This question relates to the exploration of anger versus reason, as depicted in Robert Frost's poetry. Frost often presents dualities, trapping his subjects between fiery passion and calculated reasoning, each with their individual positive and negative implications.
In the context of this question, fiery, passionate anger is often impulsive, leading to unpredictable and potentially destructive outcomes. It can cause instantaneous harm without a second thought. Conversely, cool, calculated reason might seem less destructive on the surface. It's measured, rational, and avoids heightened emotional reaction. However, this form of reason can also lead to long-term harm, particularly if used manipulatively or if it suppresses necessary emotions.
Whether one is more destructive than the other can be subjective and largely depends on the circumstances and individuals involved. Understanding the balance between each can contribute to productive life fixtures and emotional maturity.
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a simile
b metaphor
c onomatopoeia
d personification
Answer:
personification
Explanation:
they cant be angry
Answer:
The speech you have been asked to write about is called Persuasive Speech.
The key objective here is not just to inform but to make a claim and provide evidence why the audience should accept your claim to have strong merits.
To write a persuasive speech effectively, you must ensure that you first research the topic you have been given from credible sources. Examples of credible sources include but are not limited to peer-reviewed websites, educational blogs, educational websites with .edu extension, etc.
Explanation:
character depiction would have on the tone of a production of The Tempest?
A. Staging the play as a puppet show would make the production
feel more dramatic.
B. Changing the production to a musical would make the play feel
more realistic.
C. Portraying Ariel as a beast would make the production feel more
menacing.
D. Shifting the setting to one that is more current would make the
play feel more modern.
The statement that most accurately describes one effect that a change in character depiction would have on the tone of a production of The Tempest is: C. Portraying Ariel as a beast would make the production feel more threat.
The tone of "The Tempest" can be described as complex and varied, as it encompasses a range of moods and emotions throughout the play. At times, the play is light-hearted and comedic, such as in the scenes featuring the antics of butler Stephano and the jester Trinculo.
In the original play, Ariel is depicted as a spirit, and his character is often portrayed as playful, mischievous, and helpful to Prospero.
However, if Ariel were portrayed as a beast, such as a monster or a fierce animal, it would significantly alter the tone of the production. The portrayal of Ariel as a beast would make him appear more threatening and dangerous, which would add a layer of tension and menace to the play's overall tone.
This would, in turn, affect the way that other characters interact with Ariel, as well as the audience's perception of his role in the story. Hence, C is correct.
Find more on the Tempest :
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C im not too sure though
The student's question is asking about the metric structure of poetry - more specifically, the number of feet per line in a poetic excerpt. However, without given poetic lines, a specific number of feet per line cannot be established. An example with 'The lambs are joyous in the meadow' has been provided demonstrating iambic pentameter, which consists of five feet.
This question seems to be referring to the measurement of poetry, more specifically, meter or the rhythmic structure in verses. This is generally determined by the number of stressed (/'/) and unstressed (/u/) syllables in a line of poetry. However, with the provided information, it's hard to determine the feet per line as no specific lines of poetry have been provided. As an example though, if we have a line of poetry like 'The lambs are joyous in the meadow', this line is in iambic pentameter because it has five 'feet', each of which is an unstressed syllable followed by a stressed syllable (the lambs /are joy/ous in /the mead/ow).
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