Explain the central idea The Value of Music That Tickles the Brain

Answers

Answer 1
Answer: I'm guessing the central idea of "the value of music that tickles the brain" is that music makes you smarter, increases IQ level, makes language development smoother, enhances creativity, and increases the reactions in your brain to work faster. Music has many benefits and these are just a few. You can always also just research on the topic of music effects on the brain online. Hope it helps! 

Related Questions

In the sentences below, which of the bolded adverbs is used to describe an adjective?A. Jack grumbled loudly about his history grade.B. Troy was too cold to continue ice skating.C. Gia ran very quickly to get to the bus on time.D. Nora looked sadly into the mirror.
"while i was watching at 9 o clock television network program" grammatical name and function
Which word is the subject of the sentence? In the elm tree cawed one large black crow.a. treeb. an understood youc. crowd. black
Describe the ways that Brutus’ use of logos and Mark Antony’s use of pathos in their speeches reveal their character traits.
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What is the plural of chief?

Answers

the  plural of  chief is  chiefs 
The plural version of chief is Chiefs, like the Kansas City chiefs

Lines 1–9, ‘“I left in a French steamer . . . a creeping mist,”’ describe thesea as
I. cryptic
II. laconic
III. obfuscated
(A) I only
(B) II only
(C) I and III only
(D) II and III only
(E) I, II, and III


Passage 3. Joseph Conrad, Heart of Darkness
“I left in a French steamer, and she called in every blamed port they have out
there, for, as far as I could see, the sole purpose of landing soldiers and custom-
house offi cers. I watched the coast. Watching a coast as it slips by the ship is like
thinking about an enigma. Th ere it is before you—smiling, frowning, inviting,
grand, mean, insipid, or savage, and always mute with an air of whispering, ‘Come
and fi nd out.’ Th is one was almost featureless, as if still in the making, with an
aspect of monotonous grimness. Th e edge of a colossal jungle, so dark-green as to
be almost black, fringed with white surf, ran straight, like a ruled line, far, far away
along a blue sea whose glitter was blurred by a creeping mist. Th e sun was fi erce,
the land seemed to glisten and drip with steam. Here and there greyish-whitish
specks showed up clustered inside the white surf, with a fl ag fl ying above them
perhaps. Settlements some centuries old, and still no bigger than pinheads on
the untouched expanse of their background. We pounded along, stopped, landed
soldiers; went on, landed custom-house clerks to levy toll in what looked like a
God-forsaken wilderness, with a tin shed and a fl ag-pole lost in it; landed more
soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got
drowned in the surf; but whether they did or not, nobody seemed particularly to
care. Th ey were just fl ung out there, and on we went. Every day the coast looked
the same, as though we had not moved; but we passed various places—trading
places—with names like Gran’ Bassam, Little Popo; names that seemed to belong
to some sordid farce acted in front of a sinister back-cloth. Th e idleness of a passenger,
my isolation amongst all these men with whom I had no point of contact,
the oily and languid sea, the uniform sombreness of the coast, seemed to keep me
away from the truth of things, within the toil of a mournful and senseless delusion.
Th e voice of the surf heard now and then was a positive pleasure, like the speech
of a brother. It was something natural, that had its reason, that had a meaning.
Now and then a boat from the shore gave one a momentary contact with reality.
It was paddled by black fellows. You could see from afar the white of their eyeballs
glistening. Th ey shouted, sang; their bodies streamed with perspiration; they had
faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality,
an intense energy of movement, that was as natural and true as the surf along their
coast. Th ey wanted no excuse for being there. Th ey were a great comfort to look
at. For a time I would feel I belonged still to a world of straightforward facts; but
the feeling would not last long. Something would turn up to scare it away. Once, I
remember, we came upon a man-of-war anchored off the coast. Th ere wasn’t even
a shed there, and she was shelling the bush. It appears the French had one of their
wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the
long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung
her up lazily and let her down, swaying her thin masts. In the empty immensity of
earth, sky, and water, there she was, incomprehensible, fi ring into a continent. Pop,
would go one of the six-inch guns; a small fl ame would dart and vanish, a little
white smoke would disappear, a tiny projectile would give a feeble screech—and
nothing happened. Nothing could happen. Th ere was a touch of insanity in the
proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by
somebody on board assuring me earnestly there was a camp of natives—he called
them enemies!—hidden out of sight somewhere.”

Answers

The correct answer is letter (E) I, II, and III. Lines 1–9, ‘“I left in a French steamer . . . a creeping mist,”’ describe the seas as cryptic, laconic and obfuscated. The sea’s glitter is blurred by a creeping mist. Obfuscated means concealed, laconic means not talkative, cryptic means mysterious.

How do scientists believe the Iceman died?

Answers

Answer:

They replied back to the police that it was unexceptable.

Explanation:

Answer: X-rays reveal an arrowhead buried deep in the Iceman’s left shoulder— an injury that could not possibly have been self-inflicted. This discovery consequently led archaeologists to believe that the Iceman had been killed.

Explanation:

A style manual gives this rule for formatting years and centuries:Spell out centuries in lower case. For spans of years, separate the beginning and ending years with an en-dash.

Which sentence correctly follows the rule?
Question 3 options:


Did the Twentieth Century span the years 1900 to 1999 or the years 1901 to 2000?


Did the twentieth century span the years 1900–1999 or the years 1901–2000?


Did the Twentieth Century span the years 1900–1999 or the years 1901–2000?


Did the twentieth century span the years 1900 to 1999 or the years 1901 to 2000?

Answers

Did the twentieth century span the years 1900–1999 or the years 1901–2000?

According to the style manual, centuries should be spelled out in lower case. Therefore the correct spelling of "twentieth century" should be lower not upper case like "Twentieth Century". The style manual also indicates that beginning and ending years should be separated with an en-dash as in 1900-1999 or 1901-2000.

The only answer choice that does both of these correctly is the second one.

The beginning of the Anglo-Saxon period roughly corresponds with which historical event?

Answers

It corresponds with 'the Roman pull-out from Britain', when the Anglo-Saxon came, the Romans started to leave.

The correct answer is C.)the Roman pull-out from Britain

When the Romans left Britain, various groups of people started infighting over supremacy on the islands. The anglo-saxons used this to completely conquer the land which was an easy job for them considering how advanced their warriors were compared to the locals. Normans actually ended anglo-saxon rule much later.

Which of the following wrote for the abolitionist newspaper entitled the liberator? a. harriet beecher stowe
b. frederick douglass
c. william lloyd garrison
d. booker t. washington

Answers

Angelina Grimké's letter to William Lloyd Garrison was soon after published in The Liberator. (C)

It's either A or B. Not quite sure which one.