What was one factor that led to the emergence of romanticism?The romantic movement in literature began as a reaction to the ................. movement.

the correct answer would be

B. Do you know how many n's there are in the word banana?

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Answer: In the article “Foreign News at a Crisis Point,” Peter S. Goodman eloquently argues the ‘point’ that news organizations should increase the amount of professional foreign news coverage provided to people in the United States. Goodman builds his argument by using facts and evidence, addressing the counterarguments, and couching it all in persuasive and compelling language.

Goodman begins the article by bombarding the reader with facts and statistics. He states that, according to a census conducted by the American Journalism Review, the number of full-time foreign news correspondents in the United States dropped from 307 in 2003 to 234 in 2011. In addition, the AJR survey also discovered that “the space devoted to foreign news [in American papers] had shrunk by 53 percent” in the last 25 years.

Beginning the article with all of these facts and figures has a couple of strengthening effects on Goodman’s argument. First, by starting out with hard evidence, Goodman lays the groundwork of his own credibility. He’s not just writing an opinion piece – his opinion is backed by the truth. This will bring the readers onboard and make them more likely to trust everything else he says. Second, because Goodman presents these facts without much explaining/interpreting, the reader is forced to do the math herself. This engaging of the reader’s mind also ensures that Goodman has the reader’s attention. When the reader does the math to find a drop of 73 full-time foreign news correspondents employed by US papers in just 8 short years, she will find herself predisposed to agree with Goodman’s call for more professional foreign news reporting.

In addition to employing facts to his argument’s advantage, Goodman also cunningly discusses the counterargument to his position. By writing about how social media and man-on-the-ground reporting has had some positive impact on the state of foreign news reporting, Goodman heads off naysayers at the pass. It would have been very easy for Goodman to elide over the whole issue of citizen reporting, but the resultant one-sided argument would have been much less convincing. Instead, Goodman acknowledges things like “the force of social media during the Arab Spring, as activists convened and reacted to changing circumstances.” As a result, when he partially refutes this counterargument, stating the “unease” many longtime profession correspondents feel over the trend of ‘citizen journalism’ feel, the reader is much more likely to believe him. After all, Goodman acknowledges that social media does have some power. Knowing that Goodman takes the power of social media seriously will make the reader more inclined, in turn, to take Goodman’s concern about the limits of social media seriously.

The final piece that helps bolster Goodman’s argument that US news organizations should have more professional foreign correspondents is Goodman’s linguistic + stylistic choices. Goodman uses contrasts to draw the reader deeper into his mindset. By setting up the contrast between professional reporters as “informational filters” that discriminate good from bad and amateur, man-on-the-spot reporters as undiscriminating “funnels,” Goodman forces the reader to view the two in opposition and admit that professional filters are to be preferred over funnels that add “speculation, propaganda, and other white noise” to their reporting. In addition, Goodman drives the reader along toward agreeing with his conclusion in the penultimate paragraph of the article with the repetition of the phrase “We need.” With every repetition, Goodman hammers even further home the inescapable rightness of his argument. The use of “We” more generally through the article serves to make the readers feel sympathetic towards Goodman and identify with him.

By employing the rhetorical techniques of presenting facts, acknowledging the other side, and using persuasive language, Goodman convinces the reader of his claim.

Answer: Empathy

Explanation:

The social problem that The Jungle by Upton Sinclair described was the living and working conditions in Chicago’s stockyards. Thus, option B is correct.

The story is about how a family intent on pursuing their American Dream was not able to do so because they became victims of corruption, wage slavery, and oppression by the capitalists in Packingtown.

The American Dream is a concept that embodies the ideals and aspirations of people in the United States. It refers to the belief that every individual, regardless of their background or social status, has the opportunity to achieve success, prosperity, and upward social mobility through hard work, determination, and personal initiative.

The American Dream has been deeply ingrained in American culture and history, often associated with the pursuit of happiness, freedom, and the chance to build a better life for oneself and one's family. It is rooted in the principles of individualism, self-reliance, and meritocracy.

Learn more about packaging town:

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1. Walter Rauschenbusch

2. 1900s

3. the living and working conditions in Chicago's stockyard

4. with unsafe machinery

5. women's suffrage

6. to make immigrants more loyal and moral citizens

7. Jewish Americans

8. did business fairly

9. creating an income tax

10. he wanted to place strict government controls on corporations

100% hope i helped

This question is about Dylan Thomas “Do Not Go Gentle into That Good Night” poem. They are saying how great their frail deeds would be if only somewhere else (only are deemed lesser here, elsewhere they are saying their contribution would have been more accepted). Their frail deeds are the good they did (while they were in the bay).

"crying how bright / their frail deeds might have danced in a green bay" If given a different situation, their actions could have done more (figurative language).

Dylan Thomas writes about his father going blind and eventual death (about living boldly).