The images in the final lines of sonnet 17 by pablo neruda paint a picture of the speaker and his beloved as_______annoyed
tired
distant
united

Answers

Answer 1
Answer:

The answer is: united.

Throughout this beautiful sonnet Neruda speaks of his beloved as something to be cherished as his most intimate secret and treasure. In the final lines, Neruda makes it known that, to him, there is no I without her, that her hand on his chest, almost touching his heart, is his own hand and, should he close his eyes, her eyes would be closed too, perhaps entwined in dreams, or, alas, together even in death.  


Answer 2
Answer: I think the answer is united

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What does the paradox in this passage describe?the march of time
a political procession
a musical performance
the chaos of war

Answers

The paradox in that passage from "Beat Beat Drums" by Walt Whitman describes the chaos of war - he develops his ideas about war and the necessity of it in this poem.

Answer:

d, plato

Explanation:

With the fall of the Roman Empire, the Catholic Church took a negative stance on popular theatrical performances. Which of these sentences explains why the Catholic Church looked down upon such performances in the Middle Ages?

Answers

The catholic church believed that theatrical performances were blasphemous and places of debauchery which led people to sin. This would be the closest answer possible since you didn't provide possible answers to choose from.

At the time, actors were seen as people with bad morals. Performances supposedly drew bad crowds and sent immoral messages.

Which theme does the diction from the passage support best?

Answers

The correct answer for the question that is being presented above is this one: "D. Were scratching." Either my puppies or my kittens were scratching the inside of the couch.

Either my puppies or my kittens............. the inside of the couch?
A. Are scratching
B. Have been scratching
C. Has been scratching
D. Were scratching

Choose the correct sentence.a. Joey​ isn't moving to Denver after all.
b. Joey​ isn't move to Denver after all.
c. Joey​ isn't been moving to Denver after all.
d. Joey​ isn't moved to Denver after all.

Answers

Answer:

Option a. The following is the correct way of writing the sentence:

Joey isn't moving to Denver after all.

Explanation:

The present continuous or progressive is a verb tense that indicates that an action or condition is occurring now, frequently and that may be even continue in the future. The proper way of writing the sentence is using the present continuous as it implies that after all, Joey is still moving to a different city, in this case Denver. The present continuous formula is to use the verb to be + the verb in the present participle.

A. Joey isn't moving to Denver after all.

Which of the following below are desirable characteristics of exposition? Select all that apply. A. caution B. clarity C. cohesion D. completeness E. concern F. conciseness G. condescension

Answers

"Clarity", "cohesion", "completeness", "concern" and "conciseness" are the ones among the following choices given in the question that are desirable characteristics of exposition. The correct options among all the options that are given in the question are options "B", "C", "D", "E" and "F". I hope it helps you.

Answer:

clarity, coherence, completeness, conciseness

Explanation:

In what way is grendel a modern-day monster rather than a traditional historical monster

Answers

Grendel could be said to be a modern-day monster due to the fact he has multiple facets to his personality, and displays human characteristics. In a way, it is these recognisable elements of the character that make Grendel more terrifying, because we can recognise elements of ourselves in him.

Grendel is capable of human emotion

Other Questions
But I did not want to shoot the elephant. I watched him beating his bunch of grass against his knees, with that preoccupied grandmotherly air that elephants have. It seemed to me that it would be murder to shoot him. At that age I was not squeamish about killing animals, but I had never shot an elephant and never wanted to. (Somehow it always seems worse to kill a large animal.) Besides, there was the beast's owner to be considered. Alive, the elephant was worth at least a hundred pounds. Dead, he would only be worth the value of his tusks, five pounds, possibly. But I had got to act quickly. I turned to some experienced-looking Burmans who had been there when we arrived, and asked them how the elephant had been behaving. They all said the same thing: he took no notice of you if you left him alone, but he might charge if you went too close to him. -"Shooting An Elephant" by George OrwellRead the passage and choose which answer choice correctly implements a semi-colon in the italicized sentence. A.Alive, the elephant was worth at least a hundred pounds; dead, he would only be worth the value of his tusks, five pounds, possibly.B. Alive, the elephant was worth at least a hundred pounds. Dead; he would only be worth the value of his tusks, five pounds, possibly.C.Alive, the elephant was worth at least a hundred pounds. Dead, he would only be worth the value of his tusks; five pounds, possibly.D.Alive, the elephant was worth at least a hundred pounds and; dead, he would only be worth the value of his tusks, five pounds, possibly.