Community service must be added to the graduation requirements for our high school students. This will instill our youth a sense of duty that in-class lectures fail to convey. Students will be required to serve; and, they will recognize the needs of our county. Which transition word would best replace the underlined word? however finally nevertheless consequently

Answers

Answer 1
Answer:

Answer: Consequently

Explanation:

Transition word refers to the word that is used in showing the relationship that exists between the sections of a text as they provide greater cohesion as they show the relationship between ideas.

The transition word would that would best replace the underlined word is consequently. Consequently simply means "therefore" or "as a result".

Answer 2
Answer:

Answer:

Consequently

Explanation:

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What are conventions?
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Hello everyone, need some help with this question? What Is a Common Noun?
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Gregorian chants developed because pope Gregory I wanted to standardize masses

On what does science fiction often focus

Answers

Made up stories about science,nothing factual...hence the fiction part

Expression of idea :-All that glitter
is not good

Answers

It means that everything that looks promising or precious is not necessarily so.

In this poem, Columbia refers to America. How does the reference to mother earth support the theme of these lines?Celestial choir! enthron'd in realms of light,
Columbia's scenes of glorious toils I write.
While freedom's cause her anxious breast alarms,
She flashes dreadful in refulgent arms.
See mother earth her offspring's fate bemoan,
And nations gaze at scenes before unknown!
(from "To his Excellency General Washington" by Phillis Wheatley)

a.It likens American citizens to children and their patriotism to parental love.
b.It represents America as a maternal figure and other nations as her children.
c.It suggests that life comes from earth, and America is its newest shining child.
d.It depicts nations as children engaged in sibling rivalry in the form of wars.

Answers

Answer:

b. It represents America as a maternal figure and other nations as her children.

Explanation:

This poem was directed to George Washington in 1775, before American Independence was declared and American's victory against the tyrannical british rule was still uncertain, but Wheatley wrote this poem to praise and keep inspiring the American Revolution “named Columbia,” which was an embodiment of freedom. Under this context, Wheatley metaphorically represents America as a maternal figure and other nations (her offspring) as her children:

See mother earth her offspring's fate bemoan,

And nations gaze at scenes before unknown!

C. It suggests that life comes from the earth, and America is its newest shining child.

What is the central idea of How far away is that lightning?

Answers

Answer:

Explanation:

After you see a flash of lightning, count the number of seconds until you hear the thunder. (Use the stop watch or count "One-Mississippi, Two-Mississippi, Three-Mississippi," etc.) For every 5 seconds the storm is one mile away. Divide the number of seconds you count by 5 to get the number of miles.

I know that was not the main idea but that was the best i can do, You can do 2-4 stars and give a thanks for trying to help. i don't mind you giving someone else brainliest

Ivan III began the tradition of _____________in Russia.

Answers

An absolute monarchy

1/4 and 5/12 as a common denominator

Answers

1*3 = 3
4*3 = 12

3/12 and 5/12 
Other Questions
In line 44, ‘“drollery”’ most likely means(A) boredom (B) contention (C) sadness (D) dark absurdity (E) insanity Passage 3. Joseph Conrad, Heart of Darkness “I left in a French steamer, and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom- house offi cers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. Th ere it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, ‘Come and fi nd out.’ Th is one was almost featureless, as if still in the making, with an aspect of monotonous grimness. Th e edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. Th e sun was fi erce, the land seemed to glisten and drip with steam. Here and there greyish-whitish specks showed up clustered inside the white surf, with a fl ag fl ying above them perhaps. Settlements some centuries old, and still no bigger than pinheads on the untouched expanse of their background. We pounded along, stopped, landed soldiers; went on, landed custom-house clerks to levy toll in what looked like a God-forsaken wilderness, with a tin shed and a fl ag-pole lost in it; landed more soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got drowned in the surf; but whether they did or not, nobody seemed particularly to care. Th ey were just fl ung out there, and on we went. Every day the coast looked the same, as though we had not moved; but we passed various places—trading places—with names like Gran’ Bassam, Little Popo; names that seemed to belong to some sordid farce acted in front of a sinister back-cloth. Th e idleness of a passenger, my isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform sombreness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion. Th e voice of the surf heard now and then was a positive pleasure, like the speech of a brother. It was something natural, that had its reason, that had a meaning. Now and then a boat from the shore gave one a momentary contact with reality. It was paddled by black fellows. You could see from afar the white of their eyeballs glistening. Th ey shouted, sang; their bodies streamed with perspiration; they had faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality, an intense energy of movement, that was as natural and true as the surf along their coast. Th ey wanted no excuse for being there. Th ey were a great comfort to look at. For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. Th ere wasn’t even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, fi ring into a continent. Pop, would go one of the six-inch guns; a small fl ame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. Th ere was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.”