Which statement best evaluates the organization of a piece of writing?A. The author fails to provide adequate evidence to convince the audience that his claims are correct.
B. The book lacks transitions that would have guided the reader between topics; instead it feels like a jumbled mess.
C. The book contains several misspellings, typos, and grammatical errors that are very distracting to the reader.
D. The book fails to use citations throughout, leaving the reader to wonder where this information came from.

Answers

Answer 1
Answer:

The statement that most adequately examines the organization or arrangement of a written piece would be:

B). The book lacks transitions that would have guided the reader between topics; instead it feels like a jumbled mess.

  • The above statement correctly states that the written work failed to develop a bridge or transition between the ideas.
  • Transition plays a very crucial in associating one idea to another and its absence may lead to misconception or even in the failure of communication of the intended message or meaning.
  • Lack of transitions leaves the readers confused, thinking about how the events are related and they feel puzzled as they neither can understand the key idea nor the purpose of the work.

Thus, option B is the correct answer.

Learn more about 'writing' here:

brainly.com/question/19370943

Answer 2
Answer: the correct answer is B! :)

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Lines 13–18, ‘“We pounded along, . . . on we went,”’ suggest that thespeaker sees his job on the French steamer as (A) perfunctory (B) cumbersome (C) onerous (D) critical (E) vexing Passage 3. Joseph Conrad, Heart of Darkness “I left in a French steamer, and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom- house offi cers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. Th ere it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, ‘Come and fi nd out.’ Th is one was almost featureless, as if still in the making, with an aspect of monotonous grimness. Th e edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. Th e sun was fi erce, the land seemed to glisten and drip with steam. Here and there greyish-whitish specks showed up clustered inside the white surf, with a fl ag fl ying above them perhaps. Settlements some centuries old, and still no bigger than pinheads on the untouched expanse of their background. We pounded along, stopped, landed soldiers; went on, landed custom-house clerks to levy toll in what looked like a God-forsaken wilderness, with a tin shed and a fl ag-pole lost in it; landed more soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got drowned in the surf; but whether they did or not, nobody seemed particularly to care. Th ey were just fl ung out there, and on we went. Every day the coast looked the same, as though we had not moved; but we passed various places—trading places—with names like Gran’ Bassam, Little Popo; names that seemed to belong to some sordid farce acted in front of a sinister back-cloth. Th e idleness of a passenger, my isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform sombreness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion. Th e voice of the surf heard now and then was a positive pleasure, like the speech of a brother. It was something natural, that had its reason, that had a meaning. Now and then a boat from the shore gave one a momentary contact with reality. It was paddled by black fellows. You could see from afar the white of their eyeballs glistening. Th ey shouted, sang; their bodies streamed with perspiration; they had faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality, an intense energy of movement, that was as natural and true as the surf along their coast. Th ey wanted no excuse for being there. Th ey were a great comfort to look at. For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. Th ere wasn’t even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, fi ring into a continent. Pop, would go one of the six-inch guns; a small fl ame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. Th ere was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.”
Choose the correct singular, third person, conjugation of the verb to be in the future perfect tense

Which best describes the punctuation error in the sentence?We’re not sure if the tickets are for the preview night, the opening night, this weekend or next week.

Answers

The answer to your question would be that what best describes the punctuation error in the sentence is that a comma should be placed after "this weekend". The use of the comma shown in the sentence is the Oxford comma.

An Oxford comma, also called serial comma, is a comma used before the last item in a list of three or more items. When there are three or more items, then you should use a comma with the conjunction (and/or).

There should be a comma right after weekend.

We're not sure if the tickets are for the preview night, the opening night, this weekend, or next week.

Hope this helps you.

I'm writing a sonnet and I want my words to be like the shakespeare... like "thy" thee" but i dont know what it means

Answers

Thy means your and thee means you

In "The Necklace," when the jewels are lost, the Loisels _____.

Answers

In "The Necklace," when the jewels arelost, the Loisels gave up their whole savings to buy a new necklace to returnit to the people they borrowed it from. Years later, they have found it thatthe necklace they had borrowed was fake and all the time they were gettingpoorer day by day because of their lost savings.

Answer:

she looks for it

Explanation:

His sister Claire was fourteen, almost fifteen, and was no longer interested in Max, not on a consistent basis at least. . . . She had adopted a tone of perpetual dissatisfaction and annoyance with everything Max did, and with most things that existed in the world. Source: Eggers, Dave. The Wild Things. New York: Random House, 2009. Google Books. Web. 10 May 2011. What type of characterization is used in the excerpt to reveal Claire’s character traits? indirect direct both direct and indirect neither direct nor indirect

Answers

Answer:

The type of characterization used in the excerpt to reveal Claire's character is direct characterization.

Explanation:

Direct characterization refers to the character that the author implicitly describes, especially in a straightforward manner.

From the excerpt, Claire is described in a direct manner by the author through her young age, dissatisfaction and annoyance at "everything Max did".

Soft drinks provide only empty calories for the consumer. Fruits, , provide important vitamins and nutrients with fewer calories.

Answers

Both of the statements are true. Soft drinks have no nutritive value and tons of sugar that is extremely unhealthy. Fruit is often healthy if eaten raw, organic, and if not eaten in enormous quantities.

25 points if correct.elation : to carry ::

A.
exhilarated : to stretch

B.
contrite : to bend

C.
coherent : to place

D.
exonerated : out of

Answers

I believe the answer is A. Exhilarated : to stretch.

Exhilarated also means happy, excited, feeling positive, just like 'elation'.