Which sentence correctly forms the plural of the letter c? A. How many cs are in accordion? B. How many cs' are in accordion? C. How many c's are in accordion?

Answers

Answer 1
Answer: To make a letter plural, an apostrophe is almost always used after the letter in question. So the answer is "C. How many c's are in accordion?" This leaves no room for confusion.
Answer 2
Answer: The right choice is C. How many c's are in accordion.

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Write a couple of paragraph about your plans after see1 paragraph should have 50 words
Mariam provides food for the homeless every Sunday. She does this without expecting praise or anything in return. In this case, Mariam is most likely engaging in
I need an example:about three things cannot be long hidden:the sun,the moon, and the truth
If you would like to emphasize a particularly authoritative source, what method of incorporating evidence should you use?Summarizing, paraphrasing, quoting or data.
Wetlands greedily absorb heavy rains.In the sentence which word is modified by the adverb? A. heavy B.absorb C.greedily D.rain

What is one common characteristic of a successful speech's structure?a.emotional appeals that stir up feelings
b. factual information that reinforces ideas
c. photographs that create connecting ideas
d. repetition that resembles the chorus of a song

Answers

One common characteristic of a successful speech's structure is repetition which resembles the chorus of a song. Option (d) is correct.

What is Factual information?

Factual information is information that only deals with facts.

One of the reasons for giving a speech is to spread knowledge about a particular topic or subject. To ensure that the audience grasps the ideas and understands the key concepts, the speaker must continuously repeat the key points in the speech, much like a chorus in a song.

The elements in the communication process that apply to speech are speaker, message, listener, interference, channel, feedback, and situation.

Therefore, Option (D) is correct.

Learn more about Factual information, here;

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The correct option is D.

One of the reasons why one give a speech is to pass across information about a specific topic or subject. In order to ensure that the audience grasp the ideas and understand the key concepts, the speaker has to continuously repeat the key points in the speech just a chorus is continuously repeated in a song.

Read the excerpt from It's Our World, Too!: Young People Who Are Making a Difference. "Look," Neto said, "if we don't take a stand now, those fans will say those things forever. Even after we graduate, they'll keep putting Hispanic players down. We have a chance to stop it now.

Finally there was no more to say. The question came: "Who votes not to play the next game?" Every player raised his hand.

That night, Neto, Jesse, and another teammate walked into the coach's office and handed him their uniforms and pads. They explained why they were leaving and expected him to understand, but they were disappointed. "The coach said, 'Quitting will just make it worse,'" Neto remembers. "He said the fans would call us losers and quitters instead of respecting us. Nothing could convince him. After a while we just walked out." Now there was no turning back.

Which idea from this excerpt further complicates Neto’s conflict?

Neto urges the players to take a stand against the comments.
All of the players raise their hands to boycott the next football game.
Neto and his teammates talk to their coach about the problem.
The coach doesn’t support Neto, Jesse, and the other teammate.

Answers

The answer is D. The coach doesn't support Neto, Jesse, and the other teammate.
This is because the coach states that quitting won't help get the problem solved. If he supported the students, then he would've agreed with them. However, he disagreed with them by saying that it wouldn't help to quit

Answer:

the answer is D

Explanation:

What is the BEST way to improve the sentence fluency in the paragraph?

Answers

The best way is by making it interesting don't put the teacher in a coma

Match the definition to the word.1. the turning point of a play or novel

2. plays in which the hero (or protagonist) overcomes the forces opposing him

3. a character that changes in the course of the play

4. the actual story of a play or novel told through a series of events, or incidents

5. the scene of a play or the place where the action takes place

6. information printed in italics and enclosed within the text of a play in parentheses
Word Bank
Dynamic character
Comedy
Climax
Setting
Stage Directions
Plot

Answers

1.Climax 2.Comedy 3.Dynamic character 4.Plot 5.Setting 6.Stage Direction
im confused with comedy but oh well 

Answer:

1. climax

2.    comedy

3.   dynamic character

4.   plot

5.   setting

6.   stage directions

It used to be considered a faux pas for women to wear pants.What is the origin of faux pas, and what is its meaning?A. origin DutchMeaning a social mistake or slipB. origin Germanmeaning socially acceptableC. origin Spanishmeaning socially acceptableD. origin Frenchmeaning a social mistake or slip

Answers

Answer: D) origin French, meaning a social mistake or slip.

Explanation: the expression "faux pas" is originary from French ("faux" means "false" and "pas" means "step") and it is used to describe a significant or embarrassing error, it can be words or a behaviour that are a social mistake or not polite. So from the given options, the one that correctly represents the origin and meaning of "faux pas" is the corresponding to option D: origin French, meaning a social mistake or slip.

I believe it is choice D.

Which of the following is a characteristic of an ethical appeal? A. gives the idea that the writer is sympathetic and respectable B. takes into account information collected through data such as statistics C. focuses on providing an accurate, fact-based picture of the topic D. tries to influence the audience by citing expert opinions

Answers

A is the correct answer.
Other Questions
In line 8, “theirs” refers to(A) innumerable cigarettes(B) a laburnum’s blossoms(C) a laburnum’s branches(D) Persian saddle-bags(E) birds’ shadowsPassage 7. Oscar Wilde, Th e Picture of Dorian GrayTh e studio was fi lled with the rich odour of roses, and when the light summerwind stirred amidst the trees of the garden, there came through the open door theheavy scent of the lilac, or the more delicate perfume of the pink-fl owering thorn.From the corner of the divan of Persian saddle-bags on which he was lying,smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton couldjust catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum,whose tremulous branches seemed hardly able to bear the burden of a beautyso fl amelike as theirs; and now and then the fantastic shadows of birds in fl ightfl itted across the long tussore-silk curtains that were stretched in front of the hugewindow, producing a kind of momentary Japanese eff ect, and making him thinkof those pallid, jade-faced painters of Tokyo who, through the medium of an artthat is necessarily immobile, seek to convey the sense of swiftness and motion. Th esullen murmur of the bees shouldering their way through the long unmown grass,or circling with monotonous insistence round the dusty gilt horns of the stragglingwoodbine, seemed to make the stillness more oppressive. Th e dim roar of Londonwas like the bourdon note of a distant organ. In the centre of the room, clampedto an upright easel, stood the full-length portrait of a young man of extraordinarypersonal beauty, and in front of it, some little distance away, was sitting the artisthimself, Basil Hallward, whose sudden disappearance some years ago caused, at thetime, such public excitement and gave rise to so many strange conjectures.As the painter looked at the gracious and comely form he had so skillfullymirrored in his art, a smile of pleasure passed across his face, and seemed aboutto linger there. But he suddenly started up, and closing his eyes, placed his fi ngersupon the lids, as though he sought to imprison within his brain some curiousdream from which he feared he might awake. “It is your best work, Basil, the bestthing you have ever done,” said Lord Henry languidly. “You must certainly sendit next year to the Grosvenor. Th e Academy is too large and too vulgar. WheneverI have gone there, there have been either so many people that I have not been ableto see the pictures, which was dreadful, or so many pictures that I have not beenable to see the people, which was worse. Th e Grosvenor is really the only place.”“I don’t think I shall send it anywhere,” he answered, tossing his head back in thatodd way that used to make his friends laugh at him at Oxford. “No, I won’t sendit anywhere.” Lord Henry elevated his eyebrows and looked at him in amazementthrough the thin blue wreaths of smoke that curled up in such fanciful whorls fromhis heavy, opium-tainted cigarette. “Not send it anywhere? My dear fellow, why?Have you any reason? What odd chaps you painters are! You do anything in theworld to gain a reputation. As soon as you have one, you seem to want to throwit away. It is silly of you, for there is only one thing in the world worse than beingtalked about, and that is not being talked about. A portrait like this would set youfar above all the young men in England, and make the old men quite jealous, if oldmen are ever capable of any emotion.”