Which of the following describes theme?the meaning behind events and characters’ actions
explanations about how the actors sound and behave
a central message about life
writing that is vague and uncertain

Answers

Answer 1
Answer:

The right answer is "a central message about life"

A theme may be the subject matter that one is about to develop (in a work or in a speech, for example). For example: "In his latest novel, the Chilean author addresses the issue of abandoned children," "The conference will address the issue of import restrictions."

The Theme is the subject proposed for the discussion, has a more comprehensive feature, as it is seen in a global way.

Answer 2
Answer: The theme is a central message about life. The same theme can be explored infinitely in various works of art.

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What does the narrator mean when she says that Paul is "a walking encyclopedia" of Rock Island?Question 9 options:A. She means that he always has a reference book handy to explain some feature of the island.B. She means that he has written a book about the history of the island.C. She means that he is an entertaining and engaging storyteller.D. She means that he knows everything about the island's history, geography, and wildlife.
Which of these statements best represents the theme of Romeo and Juliet.... for everything there is a season, you cannot conquer all, if you'd rather than a moral weakness destroyed Romeo and Juliet, or it pays to be rich??

Which is the best summary of wart's worldview in “arthur becomes king of britain”? a. he is humble and does not seek power.
b. he is secretly very power-hungry.
c. he values noble birth above all else.
d. he does not take anything seriously.

Answers

The answer is A

hope i helped :)

Answer: a. he is humble and does not seek power.

Which reading style is suitable for reviewing material that you have previously read?

Answers

Answer: Skimming

Explanation:

If you have already read a text and you just want to review the material the reading style that is most suitable for that purpose is the skimming. When you skim a text you just look for the main ideas. It is a quick look at the text paying special attention to the first and last paragraphs. When you skim you read three or four times faster than when you read in detail.

You are supposed to skim the material so you can get the general idea.

In line 44, ‘“drollery”’ most likely means(A) boredom
(B) contention
(C) sadness
(D) dark absurdity
(E) insanity


Passage 3. Joseph Conrad, Heart of Darkness
“I left in a French steamer, and she called in every blamed port they have out
there, for, as far as I could see, the sole purpose of landing soldiers and custom-
house offi cers. I watched the coast. Watching a coast as it slips by the ship is like
thinking about an enigma. Th ere it is before you—smiling, frowning, inviting,
grand, mean, insipid, or savage, and always mute with an air of whispering, ‘Come
and fi nd out.’ Th is one was almost featureless, as if still in the making, with an
aspect of monotonous grimness. Th e edge of a colossal jungle, so dark-green as to
be almost black, fringed with white surf, ran straight, like a ruled line, far, far away
along a blue sea whose glitter was blurred by a creeping mist. Th e sun was fi erce,
the land seemed to glisten and drip with steam. Here and there greyish-whitish
specks showed up clustered inside the white surf, with a fl ag fl ying above them
perhaps. Settlements some centuries old, and still no bigger than pinheads on
the untouched expanse of their background. We pounded along, stopped, landed
soldiers; went on, landed custom-house clerks to levy toll in what looked like a
God-forsaken wilderness, with a tin shed and a fl ag-pole lost in it; landed more
soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got
drowned in the surf; but whether they did or not, nobody seemed particularly to
care. Th ey were just fl ung out there, and on we went. Every day the coast looked
the same, as though we had not moved; but we passed various places—trading
places—with names like Gran’ Bassam, Little Popo; names that seemed to belong
to some sordid farce acted in front of a sinister back-cloth. Th e idleness of a passenger,
my isolation amongst all these men with whom I had no point of contact,
the oily and languid sea, the uniform sombreness of the coast, seemed to keep me
away from the truth of things, within the toil of a mournful and senseless delusion.
Th e voice of the surf heard now and then was a positive pleasure, like the speech
of a brother. It was something natural, that had its reason, that had a meaning.
Now and then a boat from the shore gave one a momentary contact with reality.
It was paddled by black fellows. You could see from afar the white of their eyeballs
glistening. Th ey shouted, sang; their bodies streamed with perspiration; they had
faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality,
an intense energy of movement, that was as natural and true as the surf along their
coast. Th ey wanted no excuse for being there. Th ey were a great comfort to look
at. For a time I would feel I belonged still to a world of straightforward facts; but
the feeling would not last long. Something would turn up to scare it away. Once, I
remember, we came upon a man-of-war anchored off the coast. Th ere wasn’t even
a shed there, and she was shelling the bush. It appears the French had one of their
wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the
long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung
her up lazily and let her down, swaying her thin masts. In the empty immensity of
earth, sky, and water, there she was, incomprehensible, fi ring into a continent. Pop,
would go one of the six-inch guns; a small fl ame would dart and vanish, a little
white smoke would disappear, a tiny projectile would give a feeble screech—and
nothing happened. Nothing could happen. Th ere was a touch of insanity in the
proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by
somebody on board assuring me earnestly there was a camp of natives—he called
them enemies!—hidden out of sight somewhere.”

Answers

The answer would be B. I just did this question

Question 3 of 10Which visual element of the National Geographic video most clearly sends a message that the flu is worrisome?

A. The images of a miserable little girl

B. The use of the word "flu" in the title

C. The bright colors on the diagrams of viruses

D. The photos of busy scientists at work

Answers

The visual element of the National Geographic video most clearly sends a message that the flu is worrisome is the images of a miserable little girl. Thus, option A is correct.

What are context clues?

Context clues are the hints that are given in a literary work. They're important for the readers to understand the theme in the story. The context clues show that the element of the National Geographic video that sends a message that the flu is worrisome is the use of the word “attack” in the title.

In this case, the element of the National Geographic video most clearly sends a message that the flu is worrisome is the use of the word “attack” in the title.

Therefore, The visual element of the National Geographic video most clearly sends a message that the flu is worrisome is the images of a miserable little girl. Thus, option A is correct.

Learn more about context clues on:

brainly.com/question/1330487

#SPJ7

Answer:

A. The images of a miserable little girl

Explanation:

What is the main purpose of the rising action in a short story?To provide background information about the characters.
To build interest and suspense.
To answer the reader's questions.
To narrate the highest action, or turning point, of the story.

Answers

The main purpose of the rising action in ashort story is tobuild interest and suspense.

 

 

In the risingaction, a series of events build toward the point of greatest interest. The risingaction of a story is the series of events that begin immediately afterthe exposition (introduction) of the story and builds up to the climax.

 

 

The correct answer between allthe choices given is the second choice or letter B. I am hoping that thisanswer has satisfied your query and it will be able to help you in yourendeavor, and if you would like, feel free to ask another question.

6/11 y =_18/22 solve simplest form

Answers

y equals (18/22) / (6/11)
how i did this- i divided both sides by 6/11
y equals 3/2

6/11y=18/22

Divide both sides by 6/11

18/22×reciprocal of 6/11 (11/6)

Cross simplify.

Becomes...

3/2×1=3/2

y=3/2