Changing the sequence of events in a chronological essay uses the literary element ofA. flashback.
B. dramatic irony.
C. imagery.
D. allusion.

Answers

Answer 1
Answer: Changing the sequence of events in a chronological essay uses the literary element of flashback. 
Dramatic irony is when the readers/audience knows more than the characters do.
Imagery is images used to describe something.
Allusion is reference to something or somebody else, outside of the text.

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how do you right a essay with the topic:right actions for the future are the best apologies for wrong ones in the past

Answers

Well first you have to state the past ideas then say how the future ones will correct the mistakes said person made

Arrange the events from Hamlet in the order in which they occur, from first to last. Tiles Hamlet contemplates suicide. The appearance of a ghost is reported. Hamlet says he disapproves of his mother’s remarriage. Fortinbras takes over the throne. Hamlet verbally abuses Ophelia. Laertes is killed in a swordfight. Ophelia dies.

Answers

The correct order of events in Hamlet is as follows:

The appearance of a ghost is reported. Hamlet says he disapproves of his mother’s remarriage. Hamlet verbally abuses Ophelia. Hamlet contemplates detroy himself. Ophelia dies. Laertes is killed in a swordfight.

What are the events in Hamlet?

Hamlet is a tragedy play by William Shakespeare that revolves around the titular character, Hamlet, and his quest for revenge against his uncle, Claudius, who has murdered his father and taken the throne of Denmark.

The appearance of a ghost claiming to be the spirit of Hamlet's father, who reveals that he was murdered by his brother, Claudius.

Hamlet's subsequent contemplation of killing himself and his decision to feign madness in order to investigate his father's death and plot his revenge against Claudius.

Hamlet's disapproval of his mother's hasty remarriage to Claudius, his uncle, and his strained relationship with Ophelia, his former lover.

The correct order of events in Hamlet is as follows:

The appearance of a ghost is reported.

Hamlet says he disapproves of his mother’s remarriage.

Hamlet verbally abuses Ophelia.

Hamlet contemplates killing himself.

Ophelia dies.

Laertes is killed in a swordfight.

Fortinbras takes over the throne.

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Answer:

1. The appearance of....

2. Hamlet says he disapproves of...

3. Hamlet contemplates...

4. Hamlet verbally abuses...

5. Ophelia dies.

6. Laertes is killed in a...

7. Fortinbras takes over the...

Explanation:

just took it in plato

what is the adjective in the following sentence? the car moved very slowly down the street, stopping at every light.

Answers

I'd say that 'every' is the adjective you are looking for. It specifies the noun 'light'.
There is no adjective in this sentence, Only an adverb 'Slowly'

Which technique is Ramy most clearly using in the following discussion?

Answers

Answer:

C. Challenging an assumption

Explanation:

Ramy is using the challenging an assumption technique because he first starts recollecting information about Charlotte's point of view about an event, once Charlotte responds, he aims to subtlety challenge this opinion or assumption by asking a question that helps the listener change their pattern of thinking and have a new perspective on the issue.

C. Challenging a assumption

That is because Charlotte assumed that Lin is weak, and Ramy challenges the assumption by saying that he might not be weak.

Which questions do adverbs answer about the words they modify?a. To what degree?
b. In what manner?
c. When? and Where?
d. all of the above

Answers

The questions that adverbs answer about the words they modify are: To what degree?, In what manner?, and When? and Where?. Therefore, the answer is letter D. All of the above. Adverbs are words that are used to describe a verb, an adjective or an adverb too. 

Della wriggled off the table and went for him."Jim, darling," she cried, "don't look at me that way. I had my hair cut off and sold because I couldn't have lived through Christmas without giving you a present. It'll grow out again—you won't mind, will you? I just had to do it. My hair grows awfully fast. Say ‘Merry Christmas!' Jim, and let's be happy. You don't know what a nice—what a beautiful, nice gift I've got for you."

"You've cut off your hair?" asked Jim, laboriously, as if he had not arrived at that patent fact yet even after the hardest mental labor.

"Cut it off and sold it," said Della. "Don't you like me just as well, anyhow? I'm me without my hair, ain't I?"

Jim looked about the room curiously.

"You say your hair is gone?" he said, with an air almost of idiocy.

"You needn't look for it," said Della. "It's sold, I tell you—sold and gone, too. It's Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered," she went on with sudden serious sweetness, "but nobody could ever count my love for you. Shall I put the chops on, Jim?"

Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year—what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on.

Jim drew a package from his overcoat pocket and threw it upon the table.

"Don't make any mistake, Dell," he said, "about me. I don't think there's anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you'll unwrap that package you may see why you had me going a while at first."

White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.

For there lay The Combs—the set of combs, side and back, that Della had worshipped long in a Broadway window. Beautiful combs, pure tortoise shell, with jeweled rims—just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.

But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: "My hair grows so fast, Jim!"

And then Della leaped up like a little singed cat and cried, "Oh, oh!"

Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.

"Isn't it a dandy, Jim? I hunted all over town to find it. You'll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it."

Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled.

"Dell," said he, "let's put our Christmas presents away and keep 'em a while. They're too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on."

The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.

What aspect of the setting is most important to this story?

A. the flat
B. the hair-shop
C. Jim and Della's financial situation
D. the city

Answers

I think it is b I guess
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