Read the following passage and answer the question that follows.Tom Stoppard's play, Rosencrantz and Guildenstern Are Dead, draws on two previous theatrical works: Shakespeare's Hamlet and Samuel Beckett's Waiting for Godot. Rosencrantz and Guildenstern Are Dead follows the "off-stage" exploits of two minor characters from Hamlet, Rosencrantz and Guildenstern. While the two main characters in Stoppard's play occasionally make brief appearances in "Hamlet," as scripted in Shakespeare's original tragedy, the majority of the play takes place in other parts of the castle where Hamlet is set. While "off stage" in this way, the characters resemble the main characters in the absurdist Waiting for Godot. As in Beckett's play, Rosencrantz and Guildenstern pass the time by impersonating other characters, engaging in word play, and remaining silent for long periods of time. These same two characters were also featured in a parody of Hamlet, the short comic play by W. S. Gilbert entitled Rosencrantz and Guildenstern. Gilbert's play makes Rosencrantz and Guildenstern into central characters and alters the storyline of Hamlet.

What does the author mean by the line in bold? (5 points)

The way the characters are represented in Waiting for Godot is similar to a style of theatre also seen in the play Rosencrantz and Guildenstern Are Dead.
The way the characters are represented in Rosencrantz and Guildenstern Are Dead is similar to a style of theatre also seen in the play Waiting for Godot.
The unpopular changes made to Hamlet in Rosencrantz and Guildenstern Are Dead were corrected later in the play Waiting for Godot.
The unpopular changes made to Hamlet in Waiting for Godot were corrected later in the play Rosencrantz and Guildenstern Are Dead.

Answers

Answer 1

Answer:

By the line in bold, the author means that "The way the characters are represented in Rosencrantz and Guildenstern Are Dead is similar to a style of theater also seen in the play Waiting for Godot."

How is Rosencrantz and Guildenstern Are Dead similar to waiting for Godot?

Tom Stoppard’s Rosencrantz and Guildenstern are Dead is clearly written in conversation with Samuel Beckett’s Waiting for Godot. The tonal similarities between the plays are exemplified in their defining use of situation and given circumstances. In both the plays the characters are completely at the mercy of their situations. The role of tonality also plays an important role across both of these plays and both rely heavily on the theater of the absurd.

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Answer 2

Answer: Thank you for posting your question here at brainly. I hope the answer will help you. Feel free to ask more questions.

The author mean by the line in bold is The way the characters are represented in Rosencrantz and Guildenstern Are Dead is similar to a style of theatre also seen in the play Waiting for Godot.

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Answer:

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Explanation:

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I hope this answer helps you.

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Answers

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