What percent of your speech should the introduction be?10 percent
15 percent
20 percent
25 percent

Answers

Answer 1
Answer:

Answer:

10 percent

Explanation:

The introduction of a speech should reveal what is going to be said. A good start is vital to any presentation. The introduction prepares the hearer's mood to receive the rest of the speech well. The speaker should involve the audience, sharpen their interest and curiosity. However, the introduction should be quick so the audience does not get tired and remain curious about the rest of the speech, so the introduction should ideally occupy 10% of your speech.

Answer 2
Answer:

Final answer:

Usually, the introduction of a speech should comprise approximately 10 to 20 percent of the total length. All options provided could be considered correct in different contexts, but professional speakers generally advise a range of 10 to 15 percent to balance between engaging the audience and providing adequate attention to the main body.

Explanation:

When crafting a speech, it's important to provide a strong introduction to engage and prepare your audience for the topic to be discussed. As a rule of thumb, the introduction should make up about 10 to 20 percent of your speech. Therefore, all of your options could possibly be correct, depending on the specific context. However, many professional speakers suggest that 10 to 15 percent is a sufficient length, ensuring enough time to outline key points without drawing too much time away from the main arguments or body of the speech.

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Read each of the following statements and describe the nonverbal messages that you would use while making the statements. Also label which of the six nonverbal relationships you are using.1. Statement: "That is perfect!"Nonverbal gesture:Type of gesture:2. Statement: "I don't agree with you."Nonverbal gesture:Type of gesture:3. Statement: "How was lunch?"Nonverbal gesture:Type of gesture:4. Statement: "My watch stopped. What time is it?"Nonverbal gesture:Type of gesture5. Statement: "Whoa! What did you just say?"Nonverbal gesture:Type of gesture:

. Interjections are used most commonly inA. memos.
B. speech.
C. business letters.
D. formal reports.

Answers

B speech because speech is people's interactions with each other and they are informal.


B speeches Because your using them to interject or speak over people


Knight is an example of an Anglicized word.
a. True
b. False

Answers

Knight is not an example of an Anglicized word, so b. False.

Knight is of West Germanic origin and evolved from an old english word cniht, which meant 'boy' or 'servant'. It a cognate, so a word of a similar etymological origin, of the German Knecht, Swedish and Norwegian knekt, Dutch knecht and Danish knægt. It has not been adopted to English from any other language - though they are similar, they developed in respective countries simultaneously and independently.

Question 16 of 24Read the following sentences from the story "Loyalties."


I was twelve years old at the time. One afternoon my father came rushing home earlier than usual.

"Wife," he shouted to my mother who was out the back preparing food; "wife, have you not heard the news?" He was so excited he went rushing through the house. I followed him.

"Aren't you ashamed of yourself, a grown man like you rushing around like a small boy? What is it?" my mother said.

"Ojukwu has announced the new state of Biafra. We are no longer Nigerians, you hear? We are now Biafrans," he said and smiled.

"And what then?" my mother asked.

"Woman, don't you know what you are saying? Don't you realize that this is an important day, an historic occasion?"

My mother stood up and put her hands on her hips. Her face was streaming from the heat of the fire.

"Whether we are in Nigeria or whether we are in Biafra we are almost out of firewood," she said.

Using the ideas in these sentences, the reader can most likely conclude that the father

A. enjoys surprising his wife with news.
B. is easily provoked into over-reacting.
C. does not hold high regard for Ojukwu.
D. does not respect his wife's political views.

Answers

Adores telling his wife a surprise. The reader might probably infer the father from the thoughts in these phrases. Thus, option (A) is correct.

What is a sentence?

A sentence is a verbal expression in linguistics and grammar, as in the English example "The swift brown fox jumps over the slow dog." It is often described in conventional grammar as a group of words that conveys a full notion or as a unit made up of a subject and predicate.

The Loyalty is a book that explores the difficulties and dilemmas faced by adults working with at-risk youth. It centers on the lives of two 12-year-old French schoolmates named Théo and Mathis.

A phrase is made up of a group of words that are combined to signify something. The fundamental building block of language, a phrase

Therefore, Thus, option (A) is correct.

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My best guess is A.

C. does not make sense because he does not suggest that he doesn't hold high regard for Ojukwu, especially if he is happy that they announce the state of Biafra.

D. Does not because if he is really excited to share this news with his wife, he must value her opinion and reaction.

B. Could be a possible answer but announcing a state seems like a big deal, so I don't think he is EASILY provoked.

He is obviously very excited to share this news with his wife, whether she is particularly interested or not.

Because of my sore throat, my singing is bad today. But it was _____ yesterday.more bad
worse
badder
worst
is it worst

Answers

Answer:

Because of my sore throat, my singing is bad today. But it was worse yesterday.

Explanation:

The comparative degree of an adjective is used in the above sentence. When two things or two people are compared with each other, the comparative degree of an adjective is used. In the above sentence, the soreness of the thought has been compared between 'today' and 'yesterday'. Therefore, the comparative degree of 'bad' which is 'worse' is used.

worse is the answer ;)

Which of these works of fiction is based on Leo Tolstoy's time serving in the Crimean War and set in the city where he and his military unit were based?

Answers

Answer:

The work based on Leo Tolstoy's time serving in the Crimean War and set in the city where he and his military unit were based is Sevastopol Sketches.

Explanation:

Sevastopol's Sketches is a tale by Leo Tolstoy. It consists of three narratives written at different times in the Crimean War. Tolstoy acted as a second artillery lieutenant during the war, and from that experience described the war from the perspective of the combatants, detailing his reactions to extreme situations. The three parts of the work are divided into December 1854, May 1855, and August 1855.

according to the excerpt from hic sunt dracones:the geography and cartography of monsters,what creates monsters?

Answers

(The climate) is the answer for apex.
Other Questions
Th e second paragraph suggests that Hester Prynne stays in New Englandbecause (A) she has been exiled from her home (B) she is ambivalent (C) it is better than her birth-place (D) she longs for eventual absolution (E) it has been the most important place in her life Passage 3. Nathaniel Hawthorne, Th e Scarlet Letter It may seem marvellous that, with the world before her—kept by no restrictive clause of her condemnation within the limits of the Puritan settlement, so remote and so obscure—free to return to her birth-place, or to any other European land, and there hide her character and identity under a new exterior, as completely as if emerging into another state of being—and having also the passes of the dark, inscrutable forest open to her, where the wildness of her nature might assimilate itself with a people whose customs and life were alien from the law that had condemned her—it may seem marvellous that this woman should still call that place her home, where, and where only, she must needs be the type of shame. But there is a fatality, a feeling so irresistible and inevitable that it has the force of doom, which almost invariably compels human beings to linger around and haunt, ghostlike, the spot where some great and marked event has given the colour to their lifetime; and, still the more irresistibly, the darker the tinge that saddens it. Her sin, her ignominy, were the roots which she had struck into the soil. It was as if a new birth, with stronger assimilations than the fi rst, had converted the forest-land, still so uncongenial to every other pilgrim and wanderer, into Hester Prynne’s wild and dreary, but life-long home. All other scenes of earth—even that village of rural England, where happy infancy and stainless maidenhood seemed yet to be in her mother’s keeping, like garments put off long ago—were foreign to her, in comparison. Th e chain that bound her here was of iron links, and galling to her inmost soul, but could never be broken. It might be, too—doubtless it was so, although she hid the secret from herself, and grew pale whenever it struggled out of her heart, like a serpent from its hole— it might be that another feeling kept her within the scene and pathway that had been so fatal. Th ere dwelt, there trode, the feet of one with whom she deemed herself connected in a union that, unrecognised on earth, would bring them together before the bar of fi nal judgment, and make that their marriage-altar, for a joint futurity of endless retribution. Over and over again, the tempter of souls had thrust this idea upon Hester’s contemplation, and laughed at the passionate and desperate joy with which she seized, and then strove to cast it from her. She barely looked the idea in the face, and hastened to bar it in its dungeon. What she compelled herself to believe—what, fi nally, she reasoned upon as her motive for continuing a resident of New England—was half a truth, and half a self-delusion. Here, she said to herself had been the scene of her guilt, and here should be the scene of her earthly punishment; and so, perchance, the torture of her daily shame would at length purge her soul, and work out another purity than that which she had lost: more saint-like, because the result of martyrdom.